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Asrani&party

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Hello Here Is Ohm Shree Bhramani Enterprise...
ASRANI AND PARTY
Contact For Any Types Of musical Events....
Hello Here Is Ohm Shree Bhramani Enterprise... ASRANI AND PARTY Contact For Any Types Of musical Events....
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RAJASTHANI SHOW
RAJASTHANI SHOW INR 0 INR 0 Music of Rajasthan originates from Rajasthan, one of the states of India and home to several important centers of Indian musical development, including Udaipur, Jodhpur and Jaipur. The region's music shares similarities both with nearby areas of India and the other side of the border, in the Pakistani province of Sindh.Traditional music includes the women's Panihari songs, which lyrically describes chores, especially centered on water and wells, both of which are an integral part of Rajasthan's desert culture. Other songs, played by various castes, normally begin with the alap, which sets the tune and is followed by a recital of a couplet (dooba). Epic ballads tell of heroes like Devnarayan Bhagwan, Gogaji, Ramdeoji, Pabuji and Tejaji. The celebration of changing seasons is also very central to folk music of Rajasthan. Celebration of the coming of the Monsoons or the harvest season are central to most traditional folk songs. Songs also revolve around daily activities of the local people for instance a song about not sowing Jeera (Cummin) as it is difficult to tend. Or for instance another song about Podina (Mint) and how it is liked by various members of the family (an allegorical reference to a local liquor extracted from mint is also made). Every day common themes are the center of traditional rajasthani folk music. True 1460298132
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DAYRO
DAYRO INR 0 INR 0 DAYRO IS A GUJRATI MUSICAL ART DESCRIBING THE VERSATALITIES OF ITS NATURE.WE ARE AN EXPERIENCED HAND EXCELLING IN ALL FORMS AND CULTURES OF DAYRO.FEEL FREE TO CONTACT TO DISCUSS ITS FORMS. True 1460297334
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CHOREOGRAPHY
CHOREOGRAPHY INR 0 INR 0 Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which motion, form, or both are specified. Choreography may also refer to the design itself. A choreographer is one who creates choreographies by practicing the art of choreography, a process known as choreographing. Choreography is used in a variety of fields, including cheerleading, cinematography, gymnastics, fashion shows, ice skating, marching band, show choir, theatre, synchronized swimming, cardistry, video game production and animated art. In the performing arts, choreography applies to human movement and form. In dance, choreography is also known as dance choreography or dance composition. The word choreography literally means "dance-writing" from the Greek words "χορεία" (circular dance, see choreia) and "γραφή" (writing). It first appeared in the American English dictionary in the 1950s,[1] and "choreographer" was first used as a credit for George Balanchine in the Broadway show On Your Toes in 1936.[2] Prior to this, stage credits and movie credits used phrases such as "ensembles staged by",[3] "dances staged by",[4] or simply "dances by" to denote the choreographer.[2] True 1460297998
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SUNDERKAND
SUNDERKAND INR 0 INR 0 The core of the work is considered by some to be a poetic retelling of the events of the Sanskrit epic Ramayana, centered on the narrative of Rama, the scion of the family tree of Raghu of the Sun Dynasty and the crown prince of Ayodhya who is also considered in Hindu tradition as one of the Avataras of Vishnu. However, Tulsidas never alludes to Ramcharitmanas as being a retelling of Valmiki Ramayana. He calls the epic Ramcharitmanas as the story of Rama was stored in the mind (Mānasa) of Shiva before he narrated the same to His consort Parvati. Tulsidas claims to have received the story through his guru, Narharidas. Tulsidas at first could not grasp it fully as he was naive being a young boy. But his guru repeated it again and again and he could then understand it better. Then he narrated the story and named it Ramcharitmanas as Shiva himself called it. The epic poem is, therefore, also referred to as Tulsikrit Ramayana (literally, The Ramayana composed by Tulsidas).[3] The Ramcharitmanas consists of seven Kāndas (i.e. parts or books). Tulsidas compared the seven Kāndas (literally "books" or "episodes", cognate with cantos) of the epic to seven steps leading into the holy waters of Lake Manasarovar "which purifies the body and the soul at once".[4][5] True 1460298472
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EVENT MANAGEMENTS
EVENT MANAGEMENTS INR 0 INR 0 Event management is the application of project management to the creation and development of large scale events such as festivals, conferences, ceremonies, formal parties, concerts, or conventions. It involves studying the brand, identifying the target audience, devising the event concept, planning the logistics and coordinating the technical aspects before actually launching the event.[1] The process of planning and co-ordinating the event is usually referred to as event planning and can include budgeting, scheduling, site selection, acquiring necessary permits, coordinating transportation and parking, arranging for speakers or entertainers, arranging decor, event security, catering and emergency plans. The events industry now includes events of all sizes from the Olympics down to business breakfast meetings. Many industries, charitable organizations, and interest groups hold events in order to market themselves, build business relationships, raise money or celebrate achievement. True 1460205417
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RECEPTION SHOW
RECEPTION SHOW INR 0 INR 0 Reception is a noun form of receiving, or to receive something, such as information, art, experience, or people. It is often used in the following contexts: In telecommunications, the action of an electronic receiver, such as for radio or remote control (a good signal allows for clear reception) Television reception A formal party in the evening, such as a wedding reception, where the guests are "received" (welcomed) by the hosts and guests of honor Receptionist, the initial contact in an office Reception (American football), a type of play where the ball is received (caught) by a player on the thrower's team Reception (school), in England, Wales and South Australia, the first year of primary school, following pre-school or nursery school Reception (astrology), in astrology, where one planet is located in a sign where a second planet has astrological dignity Doctrine of reception in English law Reception statute, a law passed by a former British colony that provides for the adoption of pre-independence English common law where not superseded by the local constitution or legislature Aesthetics and popularity True 1460297136
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DJ
DJ INR 0 INR 0 A disc jockey (abbreviated DJ, D.J. or deejay) is a person who plays a mix of recorded music for an audience, either to a radio, television or Internet audience if the mix is broadcast over the airwaves or via another medium (e.g., cable television or online) or the audience in a venue such as a bar, nightclub or dance club. In venues such as a club or dance events such as a rave or Electronic Dance Music festival, this is typically an audience which dances to the music, which is played through a powerful sound reinforcement system. In some expensive lounges and restaurants, there may be a DJ, but the audience listens to the music rather than dancing. Club DJs developed the skill to seamlessly transition from one recording of a song to another by using turntable skills that involve the simultaneous manipulation of a two record turntables and a DJ mixer. Key skills include matching the beats of two records, cueing up the next song to the desired start point with headphones and using their knowledge of music genres and artists to select songs that will keep the audience dancing. True 1460297377
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SHRINATHJI BHAJAN
SHRINATHJI BHAJAN INR 0 INR 0 A bhajan (Hindi: भजन) is any type of Hindu devotional song. It has no fixed form: it may be as simple as a mantra or kirtan or as sophisticated as the dhrupad or kriti with music based on classical ragas and talas.[1] It is normally lyrical, expressing love for the Divine. The name, a cognate of bhakti, meaning religious devotion, suggests its importance to the bhakti movement that spread from the south of India throughout the entire subcontinent in the Moghul era. Anecdotes and episodes from scriptures, the teachings of saints and descriptions of gods have all been the subject of bhajans. The Dhrupad style, Sufi qawwali[2] and the kirtan or song in the Haridasi tradition are related to bhajan. Nanak, Kabir, Meera, Narottama Dasa, Surdas and Tulsidas are notable composers. Traditions of bhajan such as Nirguni, Gorakhanathi, Vallabhapanthi, Ashtachhap, Madhura-bhakti and the traditional South Indian form Sampradya Bhajan each have their own repertoire and methods of singing. True 1460297608
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[IS_BIZ_OPEN] Mon: 06:00 AM  -  05:59 AM
[IS_BIZ_OPEN] Tue: 06:00 AM  -  05:59 AM
[IS_BIZ_OPEN] Wed: 06:00 AM  -  05:59 AM
[IS_BIZ_OPEN] Thu: 06:00 AM  -  05:59 AM
[IS_BIZ_OPEN] Fri: 06:00 AM  -  05:59 AM
[IS_BIZ_OPEN] Sat: 06:00 AM  -  05:59 AM
[IS_BIZ_OPEN] Sun: 06:00 AM  -  05:59 AM

Contact

23/267 vrudavan apartment , behind ajay chasma ghar near Hatkeshwar circle Ahmedabad,Ahmedabad,,India,380026
+91 9825921325  or   or   
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22.9991469 72.6246864 Asrani&party 23/267 vrudavan apartment , behind ajay chasma ghar near Hatkeshwar circle Ahmedabad,Ahmedabad,,India,380026
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